- Type:
- Book Chapter
- Author:
- Olga Bush
- Published:
- 2018
- Publisher:
- Edinburgh University Press
The book closes with a study of the only extant Nasrid account of the Alhambra, Ibn al-<underline>Kh</underline>aṭïb's text on the <italic>mawlid,</italic> the commemoration of the birth of the Prophet. The chapter begins with a comparative analysis of <italic>mawlid</italic> celebrations in other medieval Muslim courts focusing on the role of processions and threshold spaces, such as discussed in chapter 2. Ibn al-<underline>Kh</underline>aṭïb also describes a royal tent, now lost, but refrained here, in light of chapter 4, as a case of textile architecture. The key to the analysis of the text, then, is the inter-medial relationship between the temporary tent and the permanent buildings as a ceremonial setting. This temporal dimension was thematized in the "poems of the hours" recited to measure the time of the event, elucidated here in connection with the poetic figures studied in chapter 3; as an instance of the relationship between static and kinetic elements introduced in chapter 1 ; and, further, with respect to the political and ideological dimensions of the ceremonial. Ibn al-<underline>Kh</underline>aṭïb's account thus testifies to the inter-medial conception of space: an integrated aesthetic experience of architecture, poetry and textiles in the court ceremonial of the Alhambra.
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Sıkça sorulan sorular
- What is "Integrating Aesthetic and Politics: The Mawlid Celebration in the Alhambra" about?
- The book closes with a study of the only extant Nasrid account of the Alhambra, Ibn al-<underlineKh</underlineaṭïb's text on the <italicmawlid,</italic the commemoration of the birth of the Prophet.
- Who wrote "Integrating Aesthetic and Politics: The Mawlid Celebration in the Alhambra"?
- Olga Bush