Singapore Cinema in Singapore

Edna Lim · 2018

By way of conclusion, this last chapter discusses current developments in Singapore cinema through recent films like <italicIlo Ilo</italic (Anthony Chen, 2013), <italicMeeting the Giant</italic (Tay Ping Hui, 2014) and <italicTo Singapore with Love</italic (Tan Pin Pin, 2014).

Type:
Book Chapter
Author:
Edna Lim
Published:
2018
Publisher:
Edinburgh University Press

By way of conclusion, this last chapter discusses current developments in Singapore cinema through recent films like <italic>Ilo Ilo</italic> (Anthony Chen, 2013), <italic>Meeting the Giant</italic> (Tay Ping Hui, 2014) and <italic>To Singapore with Love</italic> (Tan Pin Pin, 2014). It also examines the <italic>7 Letters</italic> anthology of films (2015) and Eric Khoo’s <italic>In the Room</italic> (2015) as tributes against the context of Singapore’s fiftieth birthday celebrations. Analysis of these films shows that although the industry has grown, the heartland is still a site of contestation and the existence of other Singaporeans in (an)other Singapore continues to persist. The chapter also develops and expands on my prior argument on Singapore cinema’s position as (an)other cinema in Singapore.

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The history this book covers

Civilizations: Singapore

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What is "Singapore Cinema in Singapore" about?
By way of conclusion, this last chapter discusses current developments in Singapore cinema through recent films like <italicIlo Ilo</italic (Anthony Chen, 2013), <italicMeeting the Giant</italic (Tay Ping Hui, 2014) and <italicTo Singapore with Love</italic (Tan Pin Pin, 2014).
Who wrote "Singapore Cinema in Singapore"?
Edna Lim